A hymn by Brian L Penney based upon based on Isaiah 42:1-6; 9:2, using music from John Calvin’s Genevan Psalter,
More
No organist? Use our free professional quality MP3 downloads for your church services. No fees.
Meter is an important tool when selecting hymns, if you want to choose a different hymn tune for the set words, however you should be aware of the issues and pitfalls.
Most hymns are set to metrical tunes. This means that there is a strict ‘meter’ or poetic rhythm for each line which is repeated in each verse of the hymn.
In a hymn book at the top of each hymn a series of numbers will or letters such as CM or SM will be printed. Numbers are either separated by a dot (e.g.
8.7.8.7) or written out in pairs e.g.
87 87 or 87.87). Where the number is 10 or greater, they are not paired (e.g. 10 10 10 10).
The numbers refer to the number of syllables in each line of the hymn. Therefore 87 87 indicates
that there are four lines to each verse with the corresponding number of syllables, eight in line one; seven in line two etc. Or in the case of 10 10 10 10, there are four lines of ten syllables.
For example the hymn: The King of love my shepherd is:
The King of love my shepherd is, (8)
whose goodness faileth never; (7)
I nothing lack if I am his, (8)
and he is mine for ever. (7)
‘Iambic’ and ‘Trochaic’ refer to where the
stress falls in the rhythm of each line. In the example above, The King of love my shepherd is the stress is Iambic, meaning the stress falls on the even
numbered syllables:
The King of love my shepherd is
Trochaic meter stresses the odd syllables. E.g.
It is essential when choosing different hymn tunes of the same meter that the stresses fall in a way that suits the words. So a hymn in the 87 87 Iambic
meter would never be sung to a tune set in the 87 87 Trochaic meter.
Numbers followed by a ‘D’ mean a double length verse following the same pattern. E.g. Alleluia, sing to Jesus (Hyfrydol) which has a meter of 87 87 D.
These stand for Common Meter, Short Meter and Long Meter and are a shorthand for some commonly used meters:
CM – Common Meter – 86 86 four lines which alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable.
LM – Long Meter – 88 88 four line verses with in iambic tetrameter with alternate rhyme pattern a-b-a-b.
SM – Short Meter – 66 86 four line verses with iambic tetrameter in the first, second, and fourth lines and an iambic trimeter, and the third in tetrameter. With a-c, b-d rhymes.
Preceding the letters with a ‘D’ (e.g. DCM) means ‘double the length’ therefore DCM would mean a verse of eight lines following the CM pattern.
A hymn tune marked with ‘and alleluias’ or ‘and refrain’ mean that they are added in addition to the set meter.
A tune marked ‘extended’ means that a phrase of the verse is repeated. A good example of
this is O for a thousand tongues to sing (86 86 Extended) in which the second and
fourth lines of each verse are repeated.
Many hymns do not follow the same rhythm from verse to verse. A number of very famous hymns follow an Irregular meter including In the bleak mid-winter (Cranham), and Good Christians all, rejoice (In dulci jubilo) as well as many more modern and contemporary hymns.
A hymn by Brian L Penney based upon based on Isaiah 42:1-6; 9:2, using music from John Calvin’s Genevan Psalter,
MoreRejoice My Soul : Recording Rejoice My Soul! : Lyrics Fly on the wings of dreams, Bourne high to highest
MoreFather We Praise You Now : Recording Tune: Christe Sanctorium, from Paris Antiphoner 1681 harmonized by David Evans (1874-1948). Meter:
MoreMy Father For Another Night : Recording My Father For Another Night : Free MP3 Download The music used in
MoreClick here for other settings of Lead Kindly Light. Lead Kindly Light : Recording, Sandon Tune: Sandon, composed by Charles
MoreAlternative settings of Praise To The Holiest In The Height Praise To The Holiest In The Height : Recording, Billing
MoreWhen I Can Read My Title Clear: Recording Cover image by Peter H. Tune: Pisgah, a traditional American melody. Meter:
MoreHow Sweet And Awesome Is The Place : Recording Tune: Saint Columba, traditional Irish. Meter: 86 86. Public domain. Performance
MoreJoin All The Glorious Names : Recording Tune: Darwell’s 148th composed by John Darwall (1731–1789). Meter: 66 66 88. Public Domain. Meter: 66 66 88. erformance
MoreGlory Be To God On High : Recording Tune: Noël, a traditional tune arranged by Arthur Seymour Sullivan (1842-1900). Meter:
More