Hymns By Poetic Meter

Hymns By Poetic Meter

Hymns By Poetic Meter

Hymns are often sung to more than one tune. It is the Poetic Meter of the words that will ensure one hymn can be sung to a tune of another or not.

Metrical Index

Poetic Meter is an important tool when selecting hymns, if you want to choose a different hymn tune for the set words, however you should be aware of the issues and pitfalls.

What does the Poetic Meter mean?

Most hymns are set to metrical tunes. This means that there is a strict ‘metre’ or poetic rhythm for each line which is repeated in each verse of the hymn.

How to interpret the Meter

In a hymn book at the top of each hymn a series of numbers will or letters such as CM or SM will be printed. Numbers are either separated by a dot (e.g.
8.7.8.7) or written out in pairs e.g.
87 87 or 87.87). Where the number is 10 or greater, they are not paired (e.g. 10 10 10 10).

The numbers refer to the number of syllables in each line of the hymn. Therefore 87 87 indicates
that there are four lines to each verse with the corresponding number of syllables, eight in line one; seven in line two etc. Or in the case of 10 10 10 10, there are four lines of ten syllables.

For example the hymn: The King of love my shepherd is:
The King of love my shepherd is, (8)
whose goodness faileth never; (7)
I nothing lack if I am his, (8)
and he is mine for ever. (7)

Iambic and Trochaic Stress

‘Iambic’ and ‘Trochaic’ refer to where the
stress falls in the rhythm of each line. In the example above, The King of love my shepherd is the stress is Iambic, meaning the stress falls on the even
numbered syllables:

The King of love my shepherd is 

Trochaic meter stresses the odd syllables. E.g.

All for Jesus – all for Jesus

It is essential when choosing different hymn tunes of the same meter that the stresses fall in a way that suits the words. So a hymn in the 87 87 Iambic
metre would never be sung to a tune set in the 87 87 Trochaic metre.

Numbers followed by a ‘D’ mean a double length verse following the same pattern. E.g. Alleluia, sing to Jesus (Hyfrydol) which has a meter of 87 87 D.

Poetic Meter – Short Codes

CM, SM, LM

These stand for Common Meter, Short Meter and Long Metre and are a shorthand for some commonly used metres:

CM – Common Meter – 86 86 four lines which alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable.

LM – Long Meter  – 88 88 four line verses with in iambic tetrameter with alternate rhyme pattern a-b-a-b.

SM – Short metre 66 86 four line verses with iambic tetrameter in the first, second, and fourth lines and an iambic trimeter, and the third in tetrameter. With a-c, b-d rhymes.

Preceding the letters with a ‘D’ (e.g. DCM) means ‘double the length’ therefore DCM would mean a verse of eight lines following the CM pattern.

Alleluias and Refrains

A hymn tune marked with ‘and alleluias’ or ‘and refrain’ mean that they are added in addition to the set metre.

Extended

A tune marked ‘extended’ means that a phrase of the verse is repeated. A good example of
this is O for a thousand tongues to sing (86 86 Extended) in which the second and
fourth lines of each verse are repeated.

Irregular

Many hymns do not follow the same rhythm from verse to verse. A number of very famous hymns follow an Irregular meter including In the bleak mid-winter (Cranham) and Good Christians all, rejoice (In dulci jubilo)  as well as many more modern and contemporary hymns.

Hymns by Meter